Behind the raw | Inspiration

Welcome to Behind the RAW, where I provide an in-depth exploration of landscape photography editing. In this series, I offer a transparent view of my editing process, sharing insights into the methods and techniques I employ to enhance raw images. Join me as I dissect recent captures, providing a detailed walkthrough of each step from start to finish.

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Inspired to Succeed

set about giving myself another personal challenge to try and emulate a shot that master photographer Michael Shainblum had got on that day. His shot encapsulated what it means to photograph large waves and the conditions we had then were similar to today, so I set about trying to get my version.

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Sigma 150-600 Monster Waves

My location of choice for this shoot is one that I hadn’t brought you to before, well at least not to the exact spot anyway, The last time I was here was 4 years ago when I took the hike over the cliffs to visit a stunning sea stack that sits proudly in the bay. An Searrach is an icon of the area, and when you have the promise of massive waves crashing, then it is almost a no-brainer to at least give it a go. So that’s exactly what I did.

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Behind the raw : Revisiting

Welcome to Behind the RAW, where I provide an in-depth exploration of landscape photography editing. In this series, I offer a transparent view of my editing process, sharing insights into the methods and techniques I employ to enhance raw images. Join me as I dissect recent captures, providing a detailed walkthrough of each step from start to finish.

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Behind the RAW: light tamer 

Welcome to Behind the RAW, where I provide an in-depth exploration of landscape photography editing. In this series, I offer a transparent view of my editing process, sharing insights into the methods and techniques I employ to enhance raw images. Join me as I dissect recent captures, providing a detailed walkthrough of each step from start to finish.

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Light Tamer

Arriving on location at the wrong time is a situation that many photographers face, the solution is to just wait, however, is it possible to bag some shots in the wrong conditions and time and bag some long exposure shots?

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